Saturday, December 23, 2006
Friday, December 08, 2006
Lots of interesting EOS lenses at Zenit Cameras, as well as adapters for Pentax M42 lenses so they can be used on EOS mounts. The Peleng 8mm fisheye (left) is neat, and Marco Pauck has a great page about it.
btw I went to Zenit after reading this post on Boing Boing about a Leica camera rifle.
Monday, August 21, 2006

GPS for a Nikon D200; not sure why the custom cable was necessary. No, it's not possible with a Canon since they aren't GPS-aware...:(.
Very cool for photogeocacheing-- shots can be folded into Microsoft's "WWMX" (Wold-Wide Mexia eXchange)-- neat...
Tuesday, June 13, 2006
Friday, May 19, 2006
Saturday, February 18, 2006
Marshall, Mike, ???, and Regan,
4th Annual VES Award Winners (PDF)
4th Anuual Visual Effects Society Awards coverage (pdf's):
Tuesday, February 14, 2006
Frédéric Eyl and Gunnar Green: Aperture project , emphasis on "project" since it hasn't been built.
This reminds me of Daniel Rozin's "Wodden Mirror"
Monday, February 13, 2006
HK Hendrick: Reconstructing the Saltzman 8x10 Enlarger ... and it's in San Francisco?!
Update: I exchanged some email with H.K., and unfortunately he moved to Arizona and sold the enlarger a few years ago...:(
Thursday, January 05, 2006
RED digital cinema: 4K, 24.5mm x 13.5mm "Mysterium" (ha!) CMOS sensor at 4520 x 2540 pixels, 1 to 60 fps, 60 fps possible at full res, RAW 4:4:4 through dual fiber, PL lens mount. They mention a "RED" codec and multiple resolutions and recording options.
The only other stuff I found online was in an AfterEffects forum.
Update: Sounds like a real camera, and they're still calling the sensor "Mysterium" (custom chip by Dalsa?). They released some impressive sample clips and stills. The burglary just adds intrigue!
Tuesday, January 03, 2006
Friday, March 18, 2005
In-Three’s Dimensionalization® process provides film makers, studios, and exhibitors with a new solution to 3D movie making and presentation. In-Three’s Dimensionalization® process is completely accomplished in post-production and, as a result, filmmakers now have a powerful new tool at their disposal and no longer have to concern themselves with the inherent complexities and difficulties of having to shoot in 3D with traditional dual camera systems. Furthermore, movies converted to 3D via the Dimensionalization® process produce no eye fatigue for theatre audiences.Buzz-wordy and nothing more. Dimensionalization is pure bunk-- prior art and obvious.



